La Dolce Vita Film Analysis

And the intellectual haven offered by steiner alain cuny and his family that is seen as an inadequate refuge from the harsh realities of 20th century pop culture.

La dolce vita film analysis. I have heard theories that federico fellini s la dolce vita catalogs the seven deadly sins takes place on the seven hills of rome and involves seven nights and seven dawns but i have never looked into them because that would reduce the movie to a crossword puzzle. Directed by federico fellini. A series of stories following a week in the life of a philandering paparazzo journalist living in rome. La dolce vita is an uncarvable whole.

La dolce vita was revolutionary for its time because it placed the female figure in the center of the spectator s and the male protagonist s focus. Synopsis another way to look at la dolce vita is to think of marcello s journey played by marcello mastroianni as the cinematic version of the book of daniel which describes the apocalypse or revelation. Grappling with la dolce vita for analysis is a daunting task. When federico fellini s la dolce vita emerged in 1960 it was cause for much controversy and critique on the terms of regressing moralist and religious values and more specifically the explicit sexuality that the film offers.

The film follows marcello rubini marcello mastroianni a journalist writing for gossip magazines over seven days and nights on his journey through the sweet life of rome in a fruitless search for love and happiness. Yet this tangible use of symbols might account in part for la dolce vita s fantastic success. A disclosure of something hidden from the majority of mankind in an era dominated by falsehood and misconception. Too often the new wave falls through symbolism that is simply too subtle for most movie goers.

The movie itself is larger still. This structure is related to the unconventional exposition of the film which eschews a standard plot for a collage effect created by the individual chapters which often constitute miniature films of their own with few characters shared with other sections 5. La dolce vita italian pronunciation. With marcello mastroianni anita ekberg anouk aimée yvonne furneaux.

Slicing off a piece to investigate feels trivial. It encompasses so much yet does so with such clear storytelling and verve one barely knows where to begin. This film was representative of the modernist films that would follow it for it created a sexualized context. Too many of the players are portraying themselves.

It embraces and critiques modernity celebrity culture the nouveau riche. The supposed glamour of stardom revealed as a mere scramble for publicity at any cost. I prefer it as an allegory a cautionary tale of a man without a center. Italian for the sweet life or the good life is a 1960 comedy drama film directed and co written by federico fellini.

Fellini s film has a large reputation but you ll find that when watching la dolce vita the reputation is inadequate. The non stop party life that is shown as both empty and rotten.